Mexican Cartels - 1044 Words

I. Introduction A. Greeting/ hello hows everybody doing? B. Attention getter/ Bullets begin flying, armored soldiers and drug cartel members fight it out on the steets killing each other and the surrounding civilians that are innocently just watching as they are caught in the cross fire. Now you may wonder where is this happening..Irag? Afganistan? No Its actually just south of us its happening in Mexico. C. I know this because as crazy as it sounds one of my cousins is in a drug cartel and I’ve seen the bullet holes, the blown up buildings, the blown up cars and the blood on the streets from the people that got shot when I visited Mexico. D. Thesis statement/ Although Mexico has been a producer and transportation route for illegal†¦show more content†¦c. Why are they going with the cartels? The Cartels intimidate them, tell them there going to kill them and there families if they don’t do what they tell them to do. 3. Sub point/ This is where the personal impact comes into play. a. As I told you guys earlier my cousin josue is in a Cartel to be specific it’s called Los Zetas. b. When I went to Mexico in 2008 (testimony) *Transition* Now that I told you about the Political and personal impact the drug cartels have in Mexico I’m going to wrap it up III. Conclusion A. Signal closing B. Restate thesis/ There has been a large increase in the smuggling of contraband, such as drugs, and firearms, into the U.S, and violence spilling onto our border cities due to the drug wars between the drug cartels in Mexico. C. Review main points 1. Main point #1 History of drug cartels and how they began 2. Main point #2 What is going on in present time Mexico 3. Main point #2 Political and personal impact D. Memorable statement / Now 47,515 people is way to many people to have been killed in a drug war that is happening right across our borders and that is why its something we need to know about and hopefully this speech filled you in something that you might have not known about. E.Show MoreRelatedThe Mexican Cartel, The Sinaloa Cartel1403 Words   |  6 Pages The Mexican Cartel Imagine living with your family and having a fear of leaving your house or even being in it? Many Mexican citizens are being killed by the narcotics in Mexico. Mexicans are not living in peace in their cities. Narcs never really had a time where it started, it always been around, of course it has increased, but there is no specific date or year. Important groups of the cartel is the Sinaloa cartel, the Beltran Leyva Organization and many more. This issue is important becauseRead MoreMexican Cartels1869 Words   |  8 PagesWhat is the impact of Mexican drug cartels in the United States? Andres F Urueta Dr. Maugh LIB-495-GS001 December 5, 2014 Abstract This research paper examines the impact of Mexican drug cartels in the United States. Most Americans are not aware of how far reaching these cartels are in the United States. Their power has an influence in our government and communities. 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These drug cartels have been increasing their territory, murder tolls, and power. The cartels have started to take over the government and Mexico has been becoming known as a lost state. Drug cartels are rising to power because of the lack of government, and structure which also brings fear to all the regular citizens throughout Mexico. Many citizens regularly get murdered for lying to the cartel, informing the authorities about the cartels, or antagonizing

The Mosaic floors at Fishbourne Free Essays

The Mosaic floors at Fishbourne have been damaged in a variety of ways. In this essay I am going to describe and explain how several of the floors have been damaged before explaining how the damage might have been caused. In addition, I will then explain what this damage can tell us about the changing function of the site. We will write a custom essay sample on The Mosaic floors at Fishbourne or any similar topic only for you Order Now I will now organise the damaged floors into different categorises of 4 types, and those 4 types are:- Natural-natural damage such as weather erosion. Structural- structural damage such as post holes or ditches or drain marks. Accidental-accidental damage such as JCB marks, or plough marks. Vandalism-vandalism damage made on purpose such as rubbish site. I will now describe and explain each of the 4 different types of floor damage. I will start off with Natural damage. There are 2 clearly visible effects of natural damage at Fishbourne, the first is Subsidence, subsidence is the motion of a surface as it shifts downward relative to a datum such as sea-level, there are clear and visible marks of subsidence at Fishbourne as one of the floors is decomposed and has signs of floor sinking, and tiles crumbled down also sinking, this tells us that the place could have been used as a rubbish tip site before because there are clear dips around that particular floor so people could of just thrown rubbish into it and then buried it, then built over with mosaic and now dug up again, subsidence also occurs in brittle areas of the Earth’s crust and by ductile flow in the hotter and more fluid mantle of the Earth caused by the footwall of normal faults. And the second natural damage is Fire, one of the floors at Fishbourne shows heavy erosion by weathering, this is because during Roman rule, a fire was reported and burned most of the place, when the fire ended, it burned and completely destroyed the roof in that particular area, so there was then no roof and the mosaic floor was then exposed to the harsh English weather which slowly eroded it and eventually was then covered over by Earth and then eventually dug up, the fire did not actually cause any damage, but it burned down the roof so it collapsed onto the floor creating the first part of the damage, and then the weather erodes the floor and creates the second part of the damage. I will now explore Structural damage, there are 2 clear visible effects of structural damage, and the first is Granary Posts, one floor at Fishbourne has clear post holes left in it, they are equal length apart from each other and are opposite to each other. This shows that if there were Granary Posts, there was a Granary store used to store goods such as food, weapons, jewellery, and other valuables, when the Granary store was taken down, posts were left there and the wood oxidized and rotted. This tells us that the people that put up the Granary store and took it down were probably in a rush and wanted to do it quickly, and the Granary store could of be used for military purposes, also the wooden posts were left there after granary store was taken down, this tells us that maybe the Romans did not really know about objects like wood rotting, and they could have been in a hurry to take down the granary store as posts were left in there this could show they did not have time to take out the posts. The second Structural damage is a Drainage Ditch, a floor at Fishbourne has damage which can suggest that a Drainage Ditch could have been placed there earlier on because there is a massive dip in the shape of a ditch on one of the mosaics, in the Medieval period this drainage ditch could have been used for growing various crop, and might have been used as a burial ground or even a rubbish tip again, there is evidence of it being a burial ground because a skeleton was found under that mosaic. I will now look at the Accidental damage, there are 2 cases of accidental damage at Fishbourne, the first is a JCB channel concrete mark, one of the mosaics at Fishborne has been damaged by a channel of concrete that runs through the mosaic floor, it is clearly visible and was caused when the site was first discovered, the concrete was used to fill in the ditch that had been dug by a mechanical digger in order to lay water pipes in the 1960s, this tells us that the Fishbourne site had been completely overgrown, no-one knew of the site’s existence until the 1960s, by then 3 quarters of the site had already been destroyed by this time. And the second damage is Medieval ploughing, one of the floors at Fishbourne has deep parallel line plough marks in the floor probably caused by a Medieval plough, this tells us that the place could possibly of been used to grow various crops on farm land in medieval times. I will now finish off the different types of damage by exploring the last type of damage which is vandalism, at Fishbourne there is 1 case of vandalism damage, near one of the mosaics there is a burial site with a number of graves and skeleton bones found in them, but some of the mosaic floor patterns are still visible under the skeleton, dug through the tiles, there could of probably been robbers trying to get to the bodies and could of smashed through the grave looking for valuables, this tells us that the site could have been used as a burial ground, and maybe in a hurry to burry someone. To conclude this essay, from the evidence that is available to me at the site and through other sources such as photographs and extracts I can successfully prove how the floors were damaged at Fishbourne and explain  about the different types of floor damage as I have already done this earlier  on in this essay in the main body of evidence. How to cite The Mosaic floors at Fishbourne, Papers

Overview And History Of Lambada Dance Art Essay Example For Students

Overview And History Of Lambada Dance Art Essay LambadaA HistoryA is really interesting, A becauseA itA is composedA ofA manyA narratives and it is rather hard toA hearA one and the sameA storyA of Lambada.A But doubtlessA remainsA the fact that the LambadaA is oneA of theA most celebrated and popular LatinA dances, whichA are known andA are dancingA around the universe. The wordA lambada refers toA the rhythmA ( a mixture ofA karimboA andA merengue ) A and danceA thatA combinesA elements ofA ForryA ( forro ) , A obeche, A merengue andA maxixe ( Brazilian danceA of the 19th century ) , which hadA hugeA successA in Europe. Lambada became the most popular dance in 1989 and early 1990s.A This fiery dance which was born in Latin America, ruled the full planet, and in Europe it sold over two million records with Lambada music.A Peoples were amazed with this music that reminded the rustling of thenar trees, the imbrication of the warm ocean, vocalizing of birds. That s why in the early 90 s about every twenty-four hours on American and European telecasting was shown picture of Lambada dancing by professional South American dancers.A That was true musical public presentation picture, which was sort of a dance school, and opened a whole universe of Latin American civilization. Europeans and Americans took lambada with enthusiasm, they admired the fiery and the brightness of Hispanics, and shortly Lambada was dancing in the whole Europe and America. The history of lambada and its relationship with the universe music The beginnings of Lambada dance came from karimbo at the clip when Brazil was a Lusitanian settlement ( 1500-1822 gg. ) in the northern portion of the state there was a popular dance called karimbo, that was really animal dance of adult male and woman.A Over clip the dance has changed, and changed the music: because of the propinquity to the Caribbean part, the Caribbean music civilization had a strong influence on Brazilian music ( even today we can experience it if you listen to Caribbean wireless station in the northern provinces of Brazil ) .A This close relationship gave birth to some new rhythms Sirimbo and Lari Lari ; so karimbo dance finally changed so much that gave birth to practically new one. After some clip theA localA wireless stationA BelemA ( capitalA of Para ) A began to callA this new sort ofA musicA percussionA beat andA the beat ofA Lambada A ( the word lambadaA meansA a strongA rhythmicA beatsA of music ) .A This lastA name Lambada A became really popul ar andA becameA associatedA with theA new imageA of the oldA dance manner. LaterA people once more began to dance karimboA in braces, and it wasA really much likeA merengue, A but had aA largerA figure ofA spinning.A In the terminal, A a mixtureA of metalA and electronicA musicA of the CaribbeanA one time againA changed theA face ofA karimbo, A andA the musicA quicklyA spread throughout theA northeasternA part of BrazilA ( the mostA touristicA topographic points ) , onlyA thisA newA karimbo wasA alreadyA calledA Lambada. Lambada long traveled along the seashore, and eventually reached Bahia ( the oldest of the Brazilian province ) , where it began to see the consequence of dance Forry ( another old Brazilian manner with the tonic beat ) .A Gradually, the timing of Lambada from a 4 / 4 changed to 2 / 2, so it can be confidently said that it was so lambada wholly lost its resemblance to the karimbo. Lambada was danced with dead set legs, stairss were made from side to side and neer from forepart to back.A In a manner were tight skirts, and it happened so that they began to be associated with the lambada, and lambada with them.A Even presents in some topographic points ( for illustration in AÂ «LambarAÂ » in the cabaret of the metropolis of Sao Paulo ) we can steel run into the authoritative twosomes: a lady in a narrow skirt and a adult male in long pants. ( Kempley 1990 ) .u34d7216abac37e49956d6cfe736061cd , .u34d7216abac37e49956d6cfe736061cd .postImageUrl , .u34d7216abac37e49956d6cfe736061cd .centered-text-area { min-height: 80px; position: relative; } .u34d7216abac37e49956d6cfe736061cd , .u34d7216abac37e49956d6cfe736061cd:hover , .u34d7216abac37e49956d6cfe736061cd:visited , .u34d7216abac37e49956d6cfe736061cd:active { border:0!important; } .u34d7216abac37e49956d6cfe736061cd .clearfix:after { content: ""; display: table; clear: both; } .u34d7216abac37e49956d6cfe736061cd { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u34d7216abac37e49956d6cfe736061cd:active , .u34d7216abac37e49956d6cfe736061cd:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u34d7216abac37e49956d6cfe736061cd .centered-text-area { width: 100%; position: relative ; } .u34d7216abac37e49956d6cfe736061cd .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u34d7216abac37e49956d6cfe736061cd .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u34d7216abac37e49956d6cfe736061cd .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u34d7216abac37e49956d6cfe736061cd:hover .ctaButton { background-color: #34495E!important; } .u34d7216abac37e49956d6cfe736061cd .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u34d7216abac37e49956d6cfe736061cd .u34d7216abac37e49956d6cfe736061cd-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u34d7216abac37e49956d6cfe736061cd:after { content: ""; display: block; clear: both; } READ: Why Software Systems Fail EssayTogether with the AÂ «Trio-eletricosAÂ » ( great nomadic platform in which instrumentalists perform dancing and singing during the Carnival ) lambada began to distribute along Bahia and settled in the town of Porto Seguro.A During the first roar of Lambada in the south-eastern part of Brazil ( the most economically developed ) it refered to the beat that came from Bahia, and were assumed that all these rhythms live merely in the summer and so decease. WhileA allA acknowledgedA that theA lambadaA wasA a realA rushA of the summer, A many earlyA lambateriiA ( placesA where theA lambada was danced ) A wewreA closed closed in winter when tourers left.A However, lambadaA did notA dieA The narrative of LambadaA spreadA to EuropeA saysA thatA one dayA inA lateA summer, A severalA Gallic businessmenA cameA to BrazilA andA bought theA musicA rightsA to 300A songsA in the manner of Lambada.A Then theyA returned toA FranceA andA organizedA a groupA AÂ «KaomaAÂ » , A investingA batch of money in itsA promotion.A In that manner theA lambadaA styleA became knownA throughout the worldA and reached even theA Far East, A where itA has remainedA to this twenty-four hours. The universe febrility of Lambada was so strong that it even returned to Brazil, to the most economically developed south-eastern part, that has already forgotten it.A The fact that today in Brazil there are 1000s of schools of dance hall dance, great competitions and 10s of 1000s of terpsichoreans is a virtue of the Gallic AÂ «KaomaAÂ » and their international success.A ThisA secondA waveA was calledA the SecondA BoomA of LambadaA and thisA event greatly influencedA the universe culture.A First of all lambadaA became an internationalA phenomenon, when 1000000s of youngA peopleA againA began toA danceA in braces, and evoked a moving ridge of interestA to the Latin American civilization. Having spread around the universe, A the danceA has changed dramatically.A Due to theA factA thatA in Europe there was deficiency of good dancersA of Lambada ( forA illustration forA films andA shows ) , mostA professionalsA hadA to makeA alterations to it: theA lambadaA was addedA with whirlingA and steppe-likeA elementsA from jiveA and EastA CoastA swing, A every bit good asA someA acrobaticA motions. Many dancersA have begunA to mixA lambadaA with otherA musicalA manners, A tryingA to make somethingA newA andA unusual. As to theA LambadaA music, it wasA playedA on allA wireless Stationss, A andA someA musiciansA ( eg, Sidney MagalA andA Fafa de Belem ) , seeking toA followA this new vawe, created new realA hits on its basis.A However, reasonably soonA people discovered thatA their interestA to theA lambadaA was based solelyA onA effortsA to gain moreA money, and theseA instrumentalists wereA quicklyA forgotten. After someA clip, A manyA composersA of Lambada seemed to be forgotten, these musicA and dance were losingA their power, A andA 1000000s ofA fansA around theA worldA wereA helplessA before it. Another musiciansA have begunA to mixA lambadaA with otherA musicalA manners, mixA Lambada withA CaribbeanA Soca, Merengue, SalsaA andA Zouk. Anyway, A nowA Zouk isA aA kid, aA nativeA sonA of ourA belovedA oldA Lambada. ThusA we can sayA thatA lambadaA isA a realA beat ofA LatinA America, whichA has aA richA and brightA national culture.A History ofA successA andA spread ofA LambadaA throughout the universe showsA that the cultureA of LatinA AmericaA is really popularA andA interesting toA people aroundA the world.A Latin AmericanA dancesA areA alwaysA really popular, A 1000000s ofA peopleA aroundA the worldA love to dance them.A Besides, A Latin AmericanA musicA attractsA Europeans andA Americans with its incendiaryA beat, A alone power.A LambadaA becameA oneA of the mostA brilliantA and incendiaryA dance, A which dancedA the whole universe, A andA despite the fact that itsA successA is alreadyA lost, the epoch ofA LambadaA opened theA brightness ofA theA cultureA in Latin America to the universe and brought new sound and rythms to the universe music industry. .u2cc44a15242d0843f5b876a330be5dc0 , .u2cc44a15242d0843f5b876a330be5dc0 .postImageUrl , .u2cc44a15242d0843f5b876a330be5dc0 .centered-text-a rea { min-height: 80px; position: relative; } .u2cc44a15242d0843f5b876a330be5dc0 , .u2cc44a15242d0843f5b876a330be5dc0:hover , .u2cc44a15242d0843f5b876a330be5dc0:visited , .u2cc44a15242d0843f5b876a330be5dc0:active { border:0!important; } .u2cc44a15242d0843f5b876a330be5dc0 .clearfix:after { content: ""; display: table; clear: both; } .u2cc44a15242d0843f5b876a330be5dc0 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2cc44a15242d0843f5b876a330be5dc0:active , .u2cc44a15242d0843f5b876a330be5dc0:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2cc44a15242d0843f5b876a330be5dc0 .centered-text-area { width: 100%; position: relative; } .u2cc44a15242d0843f5b876a330be5dc0 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2cc44a15242d0843f5b876a330be5dc0 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2cc44a15242d0843f5b876a330be5dc0 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2cc44a15242d0843f5b876a330be5dc0:hover .ctaButton { background-color: #34495E!important; } .u2cc44a15242d0843f5b876a330be5dc0 .centered-text { display: table; height: 80px; padding-left: 18px; top: 0; } .u2cc44a15242d0843f5b876a330be5dc0 .u2cc44a15242d0843f5b876a330be5dc0-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2cc44a15242d0843f5b876a330be5dc0:after { content: ""; display: block; clear: both; } READ: Intro Essay